Home Latest News Four-Color Fridays: The History of ‘Friday the 13th’

Four-Color Fridays: The History of ‘Friday the 13th’

When we reach 40. Friday 13th Birthday To celebrate the 50th anniversary, it’s hard not to feel sorry for Jason Vourges, perhaps the cruelest horror icon. Ignored by the founders of Paramount Studios and mistreated by his new owners in New Line Cinema, Jason has had an eventful career on the big screen. Worse, while his peers Freddy and Chucky appeared in comics in 1989 and 1991, Jason had to wait until 1993 to make his debut with Six Satanic #4’s infamous cameo.

Despite such a suspicious beginning, Jason did a surprisingly good job by appearing in Topps, Avatar Press and eventually in DC Comics WildStorm Print. If the birthday of your mother’s beloved son, Vourchi, wants to let you know more, these comics will surely please you.


(Topps Comics, 1993)

The adaptation of films into comics has a long and distinguished history, from the classic mini-series Marvel Star Wars to the latest graphic novel by Alien 3 William Gibson.

But even those who (like me) have a soft spot for Jason Goes to Hell have to admit that it’s a strange place to start when you’re new to the character. Not only does Jason rarely appear in his ice hockey mask, in the film he also avoids the usual prequel of a drowned man at summer camp to tell many interesting stories about demonic worms and tribal births.

Screenwriter Andy Mangels takes on the main highlights of the film and even adds some explanatory dialogues. But any attempt to rationalize the story is hampered by the fact that a work of art encompasses all three aspects of adaptation. The unstable lines, the lack of basic stripes, the hurried ink and the dirty colours make the Jason Goes to Hell strip opaque to anyone who hasn’t seen the film yet – which somehow negates the whole point of the adaptation.


(Topps strips, 1995 – 1996)

While the studios have been trying to figure out that Jason and Freddy will go to hell at the end of the movie Jason, TopPs comics have redeemed their first mistakes with a surprisingly important series of Jason vs.

Before I go any further, I need to make myself clear: Despite the name, Jason and Leather Face only fight twice in this story, a fight that involves nothing more than stabbing and scarring. Moreover, the comic book differs significantly from the film. Jason’s mother is called Doris for some reason, and actor and hitchhiker Sawyer doesn’t look like a character played by Edwin Neal.

Despite these peculiarities, writer Nancy A. Collins (who is working on a story she developed with David Imhoff) offers a disturbing and thought-provoking mashup who explores Jason’s connection to Leatherface after a toxic waste disposal crew accidentally moved him from the bottom of Crystal Lake to the dense Texas forests. Jeff Butler’s art and Renee Witterstätter’s colours capture the grotesque tone of Texas Chainsaw Massacre 2, a kind of stomach-turning and, believe it or not, touching. Jason integrates well with the Sawyers and appears, albeit not very sensitive, at least introspective next to his crazy masters.


(2005, Avatar Press)

FRIDAY 13: Bloodshed

(2005 – 2006, Avatar Press)


(2006, Avatar Press)

After the Topps comics were folded in 1998, Jason disappeared for a while and eventually found a home for Indian publisher Avatar Press. In a team consisting of horror veteran Brian Pulido, pencils Mike Wolfer and Sebastian Fiumara two different plots about Jason were created.

The more traditional story tells of attempts by various organizations to capture or destroy Jason. The Bloodbath and Special Story, written by Pulido and painted by Wolfer, offers a number of interesting ideas, including a forest hut with a group of young people who have gathered to attract Jason. The Book of Fear, written by Pulido and signed by Fumara, follows a survivor of this experience as she lures Jason to his Illuminati executioners.

Unfortunately, Pulido and Wolfer don’t pay much attention to these exciting concepts and instead focus on Jason, who tears people apart. Luckily, it’s nice to see Jason tearing people apart. Where the special effects of budgets and MPAA censorship limit filmmakers, comics can go to grief. Wolfer and Fumara depict the deformed bodies at best in sadistic details. And even if the pencils get too sloppy (which is too often the case with Bloodbath and Fearbook), colorists Greg Waller and Andrew Dalhouse ensure that the interior is bright enough to bring the image to life.


(2005, Avatar Press)


(2006, Avatar Press)

Another star of the Avatar Press Uber Jason comic strip, a nanobot cyborg by Jason X. As much as I love the film’s disrespectful look at 1990s fiction and Friday’s mythology, these two comics leave a lot to be desired.

Written by Pulido with drawings of fumara and flowers by Mark Sweeney, Jason X Special tells of a young woman’s plan to capture Uber Jason and use his regenerative cells to heal her sick brother. It’s not going so well.

Fumara captured the future from the original film and created cool cyborgs to kill Uber Jason, and even added Pamela AI to lead her son to murder. There’s nothing too creative about these murders, but all of Fuimara’s compositions are impressive and Pulido finds a strange twist on an otherwise predictable story. The news only deals with one subject, but the hospitality is never exhausted.

The same cannot be said of the continuation on Friday the 13th: Jason versus Jason X. Of course, the mini-series only lasts two episodes, but the extra pages stretch the story so no more than Jason and Uber-Jason make many people fight each other in a spaceship. Mike Wolfer takes on the role of writer and artist and presents cloning ideas for the AI of Jason and Pamela Wurhee, but rejects them again in favor of the double murder of Jason.

Overtime is harmful to Wolfer’s art. Like Fuimara, Wolfer captures the aesthetics of Jason X and brings the same level of grief he had with Pulido. But his work here is much sloppier, because he sacrifices the tapes for signs that emphasize the machete murder. It’s normal for a few pages, but the joke gets bigger at the end of the first song, and for the second it’s tiring.


(2006-2007, Wild Storm)

After his short stay with Avatar, Jason has finally settled in WildStorm’s DC Comics. Led by its creator, WildStorm, the line has allowed some of the best voices in comics to tell their stories to Jason, resulting in some exciting variations on Friday’s Model 13.

Therefore, the most reliable authors of the mini-series, Jimmy Palmiotti and Justin Gray, disappoint. Palmiotti and Gray tell a fairly simple story from Friday, where Jason stabbed lawyers who were hired by a businessman to repair Camp Crystal Lake.

But instead of clinging to this story with bolts and nuts, the authors add a few twists and turns, none of which are sufficiently developed to work. They weave supernatural elements into the plot, including ghosts of murdered children and flashbacks with local victims of the settler killers, none of which really fit into the killers’ main plot. The advisors evaporate and are brutal as ever, but Palmiotti and Gray are two of them who were in love. Instead of giving depth to an ordinary, severe machete, the autopsy gives the other characters nothing but a reason to spit out really terrible insults.

Artists Adam Archer and Peter Guzman make the characters easily recognisable and the bloody murders succeed in shocking the reader. However, the whole series seems incomplete, certainly in comparison with the other books published by the publisher on Friday.


(2008, Wild Storm)


(2007, Wild Storm)


(2007, Wild Storm)


(2008, Wild Storm)

After the first failed attempt, WildStorm Friday’s comic strip became a quartet of one- and two-step stories, wrapped in exciting heroic explorations around Jason’s bones.

The weakest of the four is Bad Country, by writer Ron Marz and artist Mike Huddleston. The Land of Evil was built on an idea of an Indian curse proposed by Palmiotti and Grey. It crosses the crystal lake in the 17th century. There is the 19th century, when a trio of Euro-American fishermen kill an Indian woman and her child and line up their partner for a vengeful attack, and modern Crystal Lake, where Jason chases a trio of tourists. It’s a difficult scenario, and Huddleton’s art is strong and expressive. But the subject is too complicated for just 32 pages. History has come too close to highlight the tired trail of the Indian cemetery without taking the consequences seriously.

Jason Aaron and the Adam Archer movie How I spent the summer spinning fabulous trophies for kids, which turned Jason into a monster who befriended an outcast. The boy in the story is Davy Faulkner, whose deformity draws attention to Jason’s looting. When he feels close to Davie, Jason takes the boy to his cabin, teaches him to hunt and feeds him with the leftover food he stole from the picnics he killed. Aaron finds the perfect balance between unpleasant humour and true pathos, especially in David’s sardonic story. The only flaw is the sheriff’s flirtation looking for Davy and Jason, but Archer’s pencils, reinforced by Peter Guzman’s ink and Johnny Ranch’s fine colours, even cover these problems.

As the name suggests, Jason’s mother focused on the story of Pamela Mark Andreiko and Sean Mall. Pamela drives Annie, who was sentenced to hitchhiking at the beginning of the first film, and describes her life with her abusive husband Elias, the events that brought her to the camp and the bond she formed with Jason while he was still in her mother’s womb. Despite sounding like fiction, Andreiko does impressive work on the characters, especially when the detailed images in Mall contradict the story told in Pamela’s funny story. Pamela Tale restores the dignity of a murderer long overshadowed by her masked son.

For me, the most successful of the four Mini’s is the easiest: Intruders and intruders, by Joshua Hale Fialcov and Andy Belanger. Despite the tasteful comic strip cover by Brandon Badeaux and Carrie Strachan, Abuser and the Abused is characterised by its thick lines and the basic colours (thanks to Darlene Royer) of the EC comic strip classics. And it fits, because Fjalkow borrows the structure of these moral fairy tales. Tired of seeing everyone who left her, teenager Maggie follows Jason and kills his executioners. But when she lures her sensitive friend to Crystal Lake and lets her idol do the job, Maggie discovers why you should never date your heroes. It is an unpleasant fairy tale, enhanced by Fialkov’s effective script and Bélanger’s light art.


(Wild Storm / Dynamite Entertainment, 2007 – 2008)


(Wild storm / dynamite entertainment, 2009)

Jason’s comic started with an adaptation and ended with an adaptation (so to speak).

Freddie versus jason versus ash, that’s exactly what the sequel to Freddie versus jason looks like. In more than six issues, screenwriter James Cookhorik and artist Jason Craig round off James Katz’s speech, in which Freddy is captured in Jason’s mind after the events of the 2003 film. Freddy poses as his new father and encourages Jason to find the Necronomicon from his hiding place in the House of Wurhees (as installed in Jason Goes to Hell). At the same time a trendy new S-Mart Super Center opens in Crystal Lake and the head office brings a certain Ash Williams from Detroit to the store.

Yes, it’s a crazy plot, but Katz gives each of the characters clear patterns, and Kuhorich successfully mixes the sounds of the three icons. Jason’s still the death machine he used to be, killing teenagers from New Jersey. Freddy is only allowed to commit one murder in a dream sequence until he is reinstated by the Necronomicon, but he becomes her grumpy phenomenon when he takes Pamela’s place as the voice in Jason’s head (even though he’s too quick to swing insults). Le Frêne’s courage and narrative cynicism add a necessary layer of irony without blurring the boundaries of his simple and complex classical works.

Jason Craig’s art is more like a mixed bag. If it works, it works fine. Craig offers us an impressive Jason worthy of Kane Hodder. His Freddy captures the energy of Robert Englund’s sperm in the best possible way, and Ash gets a pompadour to match Bruce Campbell’s beautiful chin. But even more than Jason’s early artists, Craig uses the basics of intrigue to emphasize the high string and incomprehensible Mount Gopian. When such a story sometimes denies the rules of composition in favour of the exploitation of visual effects, Craig does it too often, relying too much on Thomas Mason’s colours to give depth to the images.

Next year: Freddy versus Jason versus The Ash: Nightmare Warriors doubles the strengths and weaknesses of its predecessor. Katz and Kuhorich return with an exuberant story that unites The Ashes with the Nightmare Warriors, a group of survivors Jason and Freddy who invented characters from previous films: Dr. Neil Gordon (Nightmare 3) and Dr. Maggie Burrows (Dead Freddy) join Alice Johnson (Nightmare 4 and 5) and her teenage son Jacob (Nightmare 5), Stephen Freeman and his daughter Stephanie (Jason goes to hell), telekinetic Tina Shepherd (Friday VII), Renny Wickham (Friday VIII) and of course Tommy Jarvis (Friday IV-VI).

If this occupation isn’t enough, the plot falls into madness, the army of dead darkness is brought back, Jason becomes a long-haired hook, Stephanie and Maggie become Freddy and Jason: The next generation, showing Freddy dressed as… George Bush.

Gonzo’s story may be a great story for the reader, but it surpasses Craig’s art. His opinion of De ashes and Freddy is still strong, but other well-known characters show little resemblance to the actors they played. Striking is the free anatomy and tendency to excessive sexism of the female characters and the poor composition of the different fight scenes.

Despite my flaws, I can’t deny that Nightmare Warriors is a lot of fun. That’s enough to keep us until Friday the 13th, when we finally have the long-awaited thirteenth film.friday the 13th comics list,friday the 13th: how i spent my summer vacation,halloween comics,friday the 13th bloodbath,friday the 13th pamela's tale,friday the 13th cartoon,satan's six jason,best site to read comics online free

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